by Susanne Dietze
They’re like Romeo and Juliet without the smooching or tragedy. Pinkie and The Blue Boy are from the hallows of the
past, yet they’re forever young and intriguing. And they always, always go
together.
Reproductions sold on ebay |
I never knew why
they went together. When I was eight or nine, my great Aunt Dolly gave me
mini-copies, which I’d seen in stores and on the wall of the Leave
it To Beaver house. Dolly issued a warning, almost like a curse:
“You have to put them together. That's how they go.”
Surely the same artist painted The Blue Boy and Pinkie to go together. I mean, check out their names! Blue and Pink must have
shared a childhood love. My future romance-author’s mind went Ca-razy coming up with their story, which
dealt with pirates and an old seadog and a HEA.
Alas, the truth of why they are together is far less melodramatic
than my musings. And at the same time, the facts behind the portraits are
stories in and of themselves.
Stories of the portraits first. The Blue Boy was painted in 1770 by English artist Thomas
Gainsborough. He was a popular Georgian-era artist, whose work was sought by
many wealthy patrons.
Another famous Gainsborough is The Cottage Door |
The subject of The
Blue Boy was a merchant’s son named Jonathan Buttall (1752-1805), and while
it’s a portrait, it’s also a historical costume study, as Jonathan is dressed
in 17th-century apparel, thought to be an homage to the work of Anthony van
Dyck. (It might also be a SNAP against another artist who didn't like blue!)
How dashing! |
Jonathan Buttall kept the painting until he filed for
bankruptcy in 1796. The painting, which was already admired in England, changed
hands several times, until something shocking happened. It was purchased by an American.
Recently, singer Kelly Clarkson purchased a ring once owned
by Jane Austen. The hue and cry in Britain compelled Clarkson to sell back the
ring, which will now remain in the UK. The British were no less impassioned
when American railway pioneer Henry Edwards Huntington bought The Blue Boy around 1922 for $728,000
(something like $8 million now). Before its departure to California, 90,000
visitors came to the National Gallery to bid it farewell, and the Gallery’s
director Charles Holmes scrawled “Au Revoir, C.H.” on the back.
And so The Blue Boy
went Hollywood. Well, an hour’s drive away from Hollywood, to reside in
Huntington’s San Marino mansion (now a museum and library).
But what about Pinkie?
Some twenty-four years after The Blue Boy was painted, Pinkie was completed by
another popular Georgian-era artist, Sir Thomas Lawrence.
Lawrence's portrait of The Prince Regent, the future George IV |
Lawrence painted royalty
and nobility, but also took a commissions from regular folks, like the woman who wanted to immortalize
her eleven-year-old granddaughter, Sarah Goodin Barrett Moulton, aka Pinkie.
She is so lovely! |
Pinkie (yes, that's what her family called her) was born to a merchant family in Jamaica, 1783, but later sailed to England with her siblings to get their educations. In 1793, Pinkie’s grandmother wrote
to her niece in Surrey, asking her to commission a portrait of "my dear little
Pinkey … as I cannot gratify myself with the Original, I must beg the favour of
You to have her picture drawn at full Length by one of the best Masters, in an
easy Careless attitude".
No doubt the family was very pleased by the portrait.
Tragically, Pinkie passed away a year later, at age twelve. (I
know! It’s awful!) The day after her burial, her portrait was displayed in the
Royal Academy exhibition, and then returned to the possession of her family. (Cool
side note: At one point, it was owned by her brother, Edward, whose daughter
was poet Elizabeth Barrett Browning.)
In 1927, the painting was sold to—guess who? Huntington, who paired it with Ol' Blue Boy for a public display, and ta-da! America saw the paintings side-by-side and went bonkers for them, putting their images on mass-produced
artwork. (Google the images, and you'll see figurines, cross-stitch patterns, and more.)
A few weeks ago, I saw the original portraits. They gaze at one
another from opposite ends of the gallery. Pinkie is lovelier in person than
photos do justice. She is bright and clean, a glimmer of light and youth and
beauty. Likewise, The Blue Boy is regal and dashing. I was amazed to see that
his buttons and coat trim had the shine of silver in them. Though the images are familiar, the subjects of
these paintings are fresh, children posed in elegant dress, like small adults. They are hopeful and wise and poignant all at once.
I’m not sure what Gainsborough and Lawrence would have
thought of the unlikely marriage of their subjects. But it is one that compels
the viewer—and stirs the imagination—even after two hundred years.
***

Oh what a story. They must be incredible in person!
ReplyDeleteThanks for sharing and educating us (well, at least me... I didn't know much of the history at all, it seems). All this classic portraiture is so...unusual now. I guess there are a few paintings of people but it was so so popular for anyone with 'money' before the advent of film. Now it seems to only be for Royals, Presidents and Supreme Court Judges... :)
Good morning, Deb! Yes, the portraits are so much more vibrant and layered in person. I was astonished by the silver in Blue Boy's suit. We are so familiar with reproductions of these images that I didn't expect to be so moved by the originals.
DeleteI don't know anyone personally who's had a portrait painted. I imagine the cost would be surprising!
I never thought about how their outfits are clearly from different eras.
ReplyDeleteIt's one of those details that slips by most of us. It certainly did for me.
DeleteWow. I have to admit, I always thought Gainsboro painted both - purposely pairing them. Obviously I don't know much about art. But I do know it would be amazing to see the original portraits. I've always loved these portraits. I've seen figurines of both of them, never imagining they didn't really go together. Thanks, Susie!
ReplyDeleteI always thought they must've been by the same artist, too. They're so romantic! Maybe you can see the portraits next time you visit Disneyland <3 Not exactly next door to one another, but the Huntington Library is gorgeous.
DeleteI have to confess, I don't think I've ever seen either of these before, but what a cool story behind them! Thanks for sharing!
ReplyDeleteGlad you enjoyed it, Niki. I love the room where these portraits are hanging. It's full of larger-then-life portraits and marble busts of Georgian-era famous people like William Pitt and Georgiana, Duchess of Devonshire--just incredible to imagine them sitting for the artists.
DeleteFascinating story. I always assumed they were both by Gainsboro, too. Shows what I know.
ReplyDeleteI'm curious about why the girl died so young.
I don't know what happened to Pinkie, DeAnna. My assumption is illness, because it was not uncommon back then. Maybe the chill of a boarding school in England after a childhood in warm Jamaica was too much for her constitution. Very sad. (I also just thought of Jane Eyre. All that talk of boarding schools and Jamaica, ala Berthe...)
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