Showing posts with label short story. Show all posts
Showing posts with label short story. Show all posts

Thursday, October 3, 2019

AMISH FRONT PORCH STORIES by the Brunstetters, Reviewed by Trixi Oberembt

18 Short Tales of Simple Faith and Wisdom
I am a serious Brunstetter fan from way back when I first discovered Christian fiction and Amish fiction. She has added many heartwarming books to my most treasured stories. I know I will find simple faith and wisdom not only in the pages, but in the characters as well. I think I’ve learned quite a few valuable lessons from them!
First off, this cover just draws me in! I can see myself sitting on that porch on a lazy summer afternoon chatting away with a friendly Amish neighbor. Maybe even shucking peas while we talk, and sipping homemade tea or lemonade to pass the time. Those rocking chairs look so inviting! Can you picture it in your head too? Secondly, I was amazed at how quickly I read these eighteen stories. Each one of them quickly drew me into the lives of the characters; like stepping into their shoes and glimpsing a slice of what everyday life is for them. Just because they are simple Amish folk, doesn’t mean they aren’t without troubles or struggles of their own too! I think my most favorite thing about these, how each story relates to the Fruit of the Spirit; Love, Joy, Peace, Long-suffering (patience), Gentleness, Goodness, Faith, Meekness, and Temperance. The characters come to learn how to deal with life using each of these “fruits”, which in turn, helped me to remember how to deal with these in my own life—by praying more, talking to other Christians when I struggle, delving into God’s word when I need guidance, and showing kindness always in all situations. I really believe that everyone can benefit from being reminded of these truths! Living out God’s ways of doing things can shine the light of Christ in our world and I think the authors did a perfect job of portraying that in their characters.

“A simple action is all that is needed to show God’s love to a neighbor.” ~Simple Actions by Wanda Brunstetter

If you are an Amish fiction reader or a Brunstetter fan, I think you will enjoy this collection of stories just as I did. Each one is a small bite size tale packed with faith, truth and sometimes even love!
* I received a complimentary copy of this book from Barbour Publishing and was under no obligation to post a review. *


BackCover Blurb:
Come and sit awhile as you enjoy 18 fictional short stories of love, joy, and the peace found in Amish country.
Amish Country is known for an atmosphere of peace and quiet, perfect for front-porch sitting with a good book. Join
New York Times bestselling author Wanda E. Brunstetter, her daughter-in-law, and granddaughter, as they share 18 heartwarming stories from Amish Country. These fictional short stories include journeys we can all relate to as we seek how to live led by love, joy, peace, patience, and other Fruits of the Spirit. Meet Anna, who struggles to show love to a cantankerous neighbor; Laura, who endures infertility; Nora, whose pride threatens to consume her life; and other women who walk in their faith each day.

Available in digital ebook and paperback:
Buy Amish Front Porch Stories at Amazon
Buy Amish Front Porch Stories at Christianbook.com
 

Monday, October 20, 2014

A Tale of Two Story Forms




We’re celebrating the release of Anita Mae Draper’s short story “Here We Come A-Wassailing,” available as part of Guidepost Books’ A Cup ofChristmas Cheer collection. Despite its compact size, HWCA-W packs two story forms into its pages: the road story (or road trip story) with the cabin (often called “closed circle” in mysteries) story. In honor of Anita’s new story, I thought I’d look at the structure of these two fiction types.
Road stories chronicle a character’s journey from one point to another. It sounds simple enough, but in true story fashion, there are obstacles along the way that impede the journey. Fortunately the character will frequently gather allies who assist him (or her) in overcoming the obstacles. These allies and obstacles cause the main character to grow, so that the character has changed in some fundamental way by the time he reaches his destination.
Take for example, The Wizard of Oz. Protagonist Dorothy  (along with her dog Toto) lives a rather dull and boring life on her aunt and uncle’s Kansas farm. But when she is suddenly whisked away to the magical land of Oz, she needs to figure out how to travel home. The journey is both concrete (Dorothy has to physically walk down the yellow brick road) and symbolic (Dorothy is also on a journey of self-discovery). She makes allies (Lion, Scarecrow, Tin Man) and encounters obstacles (the Wicked Witch of the West and a wizard who isn’t really a wizard). The story ends when Dorothy returns to Kansas, newly appreciative of her life and family.

Some other famous road stories are Voyage of the Dawn Treader (C.S. Lewis), Journey to the Center of the Earth (Jules Verne), and Tolkien’s The Lord of the Rings trilogy. Bing Crosby, Bob Hope, and Dorothy Lamour starred in a series of road story movies, conveniently named Road to ___. (In short, if the book or movie has “voyage,” or “journey,” or “road” in the title, there’s a good chance it’s a road story!)
The cabin or closed circle story seems to be the opposite of a road story. Two or more people find themselves trapped together by circumstances. They may be detained in a hotel during a storm or trapped on a deserted island without a way of returning to civilization. While the setting of a road story is ever-changing, these cabin/closed circle stories take place in a single setting. The fun (or danger) comes from the unlikely combination of characters.
For instance, the famous TV show Gilligan’s Island has seven very different people stuck on an island together: the bossy Skipper, goofy Gilligan, rich and aloof Mr. and Mrs. Howell, elegant Ginger, brainy Professor and girl-next-doorish Mary Ann. Despite their disparate backgrounds and personalities, they have to find ways to work together.

What happens in the cabin (or hotel or country house or train or space ship) depends on who is stranded there. When the story is a closed circle mystery, it’s quite possible one of the characters is a murderer. The other characters need to figure out the identity of the murderer before they, too, fall victim. In a cabin romance, the forced proximity offers an unlikely couple the chance to get to know each other. Many survival movies (and countless Star Trek episodes) also utilize the concept of people (or people and aliens) stranded in a single location where they are forced to work together in order to survive.
For example, Beauty and the Beast is at heart a cabin romance. The beast confines himself to the castle because of his hideous appearance and Belle is trapped because of her promise to remain. Alone with only singing household furnishings for company, a peculiar pair forms a unique bond. Some other examples of this type of story are Murder on the Orient Express (set on a train), Key Largo (set on the island of Key Largo during a hurricane), and Apollo 13 (set in a space ship).

(Since we're beginning our Christmas celebrations early here on Inkwell, I suppose I might as well confess that after years and years of annual It's a Wonderful Life watching, I have trouble picturing Lionel Barrymore as anyone other than the meanest, richest man in Bedford Falls.)
As to how Anita’s story combines elements of both these story forms…well, for that, you’ll have to read it yourself. Just leave a comment with a “safe” version of your email addy (i.e., name at provider dot com/net) by 11:59 Monday, October 20 for your chance to win a free copy.
And be sure to share your favorite road stories, cabin romances, or closed circle mysteries.

After leaving the corporate world to stay home with her children, C.J. Chase quickly learned she did not possess the housekeeping gene. She decided writing might provide the perfect excuse for letting the dust bunnies accumulate under the furniture. Her procrastination, er, hard work paid off in 2010 when she won the Golden Heart for Best Inspirational Manuscript and sold the novel to Love Inspired Historicals. You can visit C.J.'s cyber-home (where the floors are always clean) at www.cjchasebooks.com

  

Friday, October 17, 2014

New Release Marketing Plan

by Anita Mae Draper


Forgive the lopsided banner on this post, but I used a cropped version of my Facebook Author page since I want to show you all the marketing involved in my new release, A Cup of Christmas Cheer.

I am so very honored that Guideposts Books chose Here We Come A-Wassailing for their 2014 edition of A Cup of Christmas Cheer (CoCC) Volume 4 Heartwarming Tales of Christmas Present. Last year if you recall, I made my publishing debut with the short story, Riding on a Christmas Wish which Guideposts published in CoCC Volume 1 Tales of Faith and Family for the Holidays. 

For the record, Guideposts Books (GB) does not require their authors to promote their books as they have an excellent marketing team for that purpose, so you might be surprised by this post on our marketing efforts, but we're so excited about our stories that we can't help promoting it.

Last year when CoCC Vol 1 & 2 was nearing release, some of us authors banded together on a private Facebook page and decided on a hosting a blog hop. We offered prizes at each stop of the hop, and then a grand prize worth about $120. This was on top of our personal blogging, tweeting and facebooking as we promoted our 2-volume set which for several of us, was our debut publishing credit. We were rewarded when the books sold so well that GB ordered a second printing.

Here we are in Oct 2014 and again, the authors are working together for promotion. Some of us were published in Vol 1&2, but many are new to these sweet little books. Once again we have a private Facebook page where we discuss ideas which one of the authors, Keli Gwyn, works as our liaison with our editor, Jon Woodhams, who in turn checks with the GB marketing team.

From this arrangement, we have developed some great promotional tools including a CoCC blog where each of us has scheduled a day to post about our stories. The blog has been live for over a week and includes posts from editor Jon Woodhams about the inspiration behind the CoCC books, and an interview about how he and his team chose the different stories.



Included with the CoCC blog are the following pages which are being continually updated:
- Stories - describes all 4 CoCC volumes
- Authors - links to online appearances
- Giveaways - some fabulous draws are in the works
- Pinterest - links to the authors' story boards

One final thought on the blog... if you want to keep up with the posts, giveaways, etc, you can Follow the Blog via Email. The details are on the blog's right sidebar.

The following promotional tools allow GB to see us on Twitter and Facebook where they retweet us for greater exposure
- #cupofchristmascheer 
- @GuidepostsBooks 


Just when I thought we were doing everything we could, Keli gave us some more good news in that we now have an official public Facebook page. If you LIKE it, you can choose to receive notifications of giveaways, blogposts, etc. 

Keli has added A Cup of Christmas Cheer to goodreads where GB is giving away 5 sets of CoCC Volume 3&4 in a draw that ends Nov 14, 2014.

GB has donated several more book sets to be given away on the CoCC blog and at our Facebook party which is tentatively scheduled for Nov 6. 

We've been assigned a special link to the ShopGuideposts page which allows GB to keep track of which orders are being made on behalf of the promotional efforts of the authors. Yes, if you're going to order, please use this one: https://www.shopguideposts.org/christmascheerblog

Or click on this button which I've already linked to the Shop Guideposts page. 

This is so exciting!

Before I close off, I might as well give you the links to my social media hangouts:
Pinterest boards including Christmas and Fall/Thanksgiving
Here We Come A-Wassailing CoCC story board


Don't forget about my Giveaway here at the Inkwell where I'm giving away a copy of A Cup of Christmas Cheer Volume 3 & 4 to one randomly-chosen commenter. Be sure to leave a comment with a way to contact you to be entered! The drawing ends Monday, Oct 20, 11:59 EDT.


So, have I fired you up enough to click one of the links? I wasn't a fan of Pinterest boards at the beginning, but now they are my go-to place for images and recipes. :)

~~~~~~~~~~~~~~~~~~~~~~~~


Anita Mae Draper is retired from the Canadian Armed Forces and lives on the prairie of southeast Saskatchewan, Canada with her hubby of 30 plus years and the youngest of their 4 kids. She writes cowboy stories set in the Old West, and Edwardian stories set in the East. Anita Mae's short story, Riding on a Christmas Wish is published in A Christmas Cup of Cheer, Guideposts Books, October 2013. She is honored that Guideposts Books has chosen a second short story, Here We Come A-wassailing, for inclusion in the 2014 A Cup of Christmas Cheer Vol 3&4 book set. Anita Mae is represented by Mary Keeley of Books & Such Literary Management. You can find Anita at 
http://www.anitamaedraper.com/



Wednesday, December 22, 2010

Faith Fiction: The Shepherd


Christmas is a wonderful time of year when we celebrate the birth of Christ by sharing time, food and gifts with loved ones. But what if you don’t have any loved ones? Perhaps you’re a loner who doesn’t feel comfortable around people. Or maybe you had loved ones but lost them somehow.

The concept of this story came when I thought of miracles happening to people who don't have loved ones to share the Christmas season.


***

The Shepherd
by Anita Mae Draper

“Maybe I won’t feel a thing,” Sarah whispered. Entombed in a world of white, whirling snow, she leaned back against the headrest and closed her eyes. Just minutes before she’d turned off the ignition to her Ford Focus after it slid down an embankment into a snow-filled ditch. Already the bitter cold filled the interior of her small car.

It was a fitting end on this Christmas Eve. Exactly four years ago, she’d fallen into a world of living hell. And now, finally, it looked like her dark time was ending and peace, blessed peace, awaited.

The howling wind rocked the Focus. She closed her eyes. Maybe she could fall asleep before her body numbed from the frigid cold. Her mind skipped back over the past years of misery to a time of laughter with Mike and the kids. Memories of their last Christmas together swirled in her head much like the snow danced around her vehicle. They’d been so happy. The kids had coerced them into opening a gift each before they left for the Christmas Eve candlelight service. She’d cried when she opened the twin’s badly-wrapped package and seen the locket with their similar photos. Within minutes, Mike had fastened it at her nape.

She breathed in the freezing air. It hit the back of her throat and she coughed in protest. The movement jiggled the locket nestled against her skin. More memories assailed her. They’d sang carols on the way to the service, at the service, and on the way home—stopping mid-tune when their car hit the patch of black ice. Suddenly they were going sideways on the wrong side of the highway while large white lights bore down on them. She screamed, waiting for the impact of fifty thousand pounds of metal and glass to plow into them once again—her never-ending nightmare.

Rap, rap, rap. Metal groaned in the thundering silence and a tempestuous wind blew in. Her eyes flew open. She gasped as frigid air clamped onto her eyeballs. Tears flooded her eyes, lessened the pain.

“Are you okay, lady?”

She shrieked.

“Are you hurt?”

Sarah stared at the man. Only his eyes were visible through the balaclava that covered his skin.

“I-I’m o-k-kay."

“Come on, let’s get you out of here,” he shouted over the wind.

He helped her move cautiously as if aware of her numb limbs. A roar reached her ears overpowering the howling wind and she noticed a huge farm tractor idling several feet away. But the man didn’t lead her to the cab. Instead, he guided her behind it to a looming trailer. “It’s the best I can do under the circumstances,” he yelled above the noise. He pulled open a small door and practically pushed her inside. “At least you’ll be warmer in here. Hang on and we’ll be home, soon.”

The door creaked and clanged behind her.

Sarah couldn’t see a thing. She blinked. Her eyes were open, but blackness surrounded her. And, something else. Something or someone shared the space with her. She sucked in a breath and gagged.

The tractor roared and the trailer lurched forward.

Off balance, she fell sideways against a mound of...something. It baa’d and moved.

“Eek!” She jumped away, slipped, and dropped to the straw-covered floor. The scent of manure assailed her. Stuck in a trailer with a bunch of smelly sheep. Could it get any worse? An image of sitting in her cold car flashed. Yes. Yes, it could. She sat, waited and listened to the animal sounds on the other side of the trailer. Apparently, the sheep were just as wary of her as she was of them.

When the tractor stopped a few minutes later, Sarah stood waiting by the door. It opened and she stepped forward.

A sheep sprang through the opening pushing her aside. The door slammed shut behind it. By the time she’d gathered her wits, the trailer jerked forward again. Over the next couple hours, the same scenario was repeated. After a while Sarah sank into a corner and tried to ignore the animals who shared her space.

“Lady!”

Someone shook her shoulder and she became aware of a man bending over her. Disoriented, she shirked until his voice nudged her memory.

“Hey, I’m not going to hurt you. I promise. Now come in and get warm.”

Outside, the wind hurled shards of ice at her face. She turned, her forehead bumping his shoulder. He lifted her, ignored her protests, and carried her the twenty feet to the stairs of a small cottage. Putting her down before a heavy wood door, he flicked the latch and warmth flooded out to greet her.

“Make yourself comfy. I’ll be back soon.”

His soothing words flowed over her like honey—a feeling she hadn’t felt in a long time. She glanced around the room in wonderment. Every table and shelf surface held nativity sets. Different sizes. Different textures. Different sheep. Sheep? Yup, sheep were everywhere.

A large painting caught her eye. The bearded, long-haired man was the same one portrayed on church buildings in the neighborhood. And he was carrying a sheep. Well, technically it was a lamb, but sheep gathered around his sandaled feet.

She hobbled to the nearest chair and dropped into it, facing the painting. It certainly went with the décor. Long minutes passed while she stared at the painting. The man had a certain look to him. Gentle and peaceful. As if everything was going to be all right.

Her rescuer emerged through a door across the room.

“I’m Jake Edwards. Here, this should warm you up.” He offered her a steaming mug.

Sarah took it and thanked him. He wore a woolen sweater with a Christmas motif which would have seemed ludicrous on any other man, but somehow it suited him. He smiled with his eyes, laugh lines crinkling at the corners. His whole package oozed comfort.

“Sarah Wheeler. Where am I?”

He sank onto the sofa near her. “You’re at The Manger.”

“The Manger?” she scoffed.

“Yessirree. I’m a shepherd and The Manger is my farm. The storm caught me by surprise and I was out gathering the last of my flock when I saw your car.” He gestured to her and winced. “Sorry.”

She glanced down. Her clothes were decorated with bits of golden straw and brown smudges. “Eeewh!”

He threw back his head and let out a hearty laugh.

It warmed her from the inside out. “Sure, you can laugh. You’re not the one wearing the manure.”

“My mama raised me to share my things. What’s mine is yours.”

“Yeah, well you can keep it.” She smiled to offset the words.

He laughed harder, wiping his eyes. Several minutes later, he took a long drink from his mug and set it down. “Did you need to borrow my phone? I’m sure there’s someone wondering what happened to you.”

She swirled the coffee around in her mug. “No, there’s no one. I’m all alone in the world.” The minute she’d said the words she cringed. What a stupid thing to say to a stranger.

“I know what you mean.”

She lifted her head at his soft tone.

He appeared to be gazing at the painting of the shepherd. “I lost my fiancée a long time ago. I don’t know how I would have gone on if I didn’t know she was in heaven.”

Sarah leaned forward. “What do you mean—in heaven? And what does the shepherd have to do with anything?”

A smile curved up the corners of his mouth displaying a dimple. “Do you know why everyone makes such a big deal about Christmas?”

“Sure, everyone knows that. A baby was born two thousand years ago. I think he was a king or something.” She should know . . . they sang enough songs about him.

He nodded to the painting. “You’re right. He was a king. Would you like to hear more about him?”

“Him? The shepherd or the king?”

“Both,” he said. “First, we’ll see if we can find you some clean clothes. Then over supper I’ll tell you all about a very special Man.”

The End

***


From my house to yours, have a very Merry Christmas and a blessed New Year.

Thursday, September 30, 2010

Welcome Revell Author Julie Lessman!

by Julie Lessman


When Gina invited me to guest blog today, I was thrilled, not only because I love Gina and the Inkies, but because I love this blog and its focus on writing and God. She told me I could write about "anything related to faith," so I was excited because I LOVE talking about my faith and the amazing things God has taught over my many, MANY years.

But, life happens, as we all know, and I ran out of time. That’s when something in my spirit whispered the words, "Windowsill Jesus." Now if you have read my debut novel, A Passion Most Pure, you may remember the acknowledgment at the back of the book to Windowsill Jesus, a true character from my childhood about Whom I wrote a story for a fiction class ten years ago. This is both His story and mine, and as far as I am concerned, there is nothing more "related to faith" (mine, anyway) than what Windowsill Jesus did for me—a young woman desperately groping in the dark before He brought her into His glorious light. And so, without further ado, I give you Windowsill Jesus—the best friend this girl has ever had.



~*~

The Plight of Windowsill Jesus

Mama always said I had an imagination like a runaway train. Wild, out of control and guaranteed to get somebody hurt. She never smiled when she said it. Just shook her head in resignation, her tone flat and lifeless. Not unlike, I often thought, her feelings for me.

She was right, of course. I still remember the night of ‘the call’. To this day I swear I wasn't asleep, only drifting on my bed somewhere between contemplation and slumber. The rain pelted against the window like angry tears while I lay in the dark. Somewhere in my head, a phone rang. I never moved a muscle, except in my mind's eye, where I calmly lifted the receiver to my ear.

"Hello Julie, this is the Devil. I'll be there in five minutes." Click.

I jolted up in bed. My ragged breathing slashed the silence while my heart pumped in terror. What should I do? I couldn't call Daddy—I’d get the belt for waking him in the middle of the night. After all, a doctor had to be well-rested to care for his patients. And I knew better than to call for Mama, a woman with little patience for the 3:00 a.m. hysterics of an eight-year-old drama queen. Besides, all of her comfort and care was reserved for the little girl sound asleep in the bed next to mine, the one Mama was sure was an angel sent from above.

Mama was right again. Who wouldn't love a dimple-cheeked cherub like Katie? Stack one sweet-natured, flaxen-haired five-year-old against a spindly, mousy-haired ‘angle-shooter’, and the contest was over. All hail, Queen Katie. Long live the Queen!

I wanted to hate her, but I couldn't. I wanted her gone, but she was all I had. Katie, a blue-eyed moppet with a sweet smile. She could chase the Devil away with grins and giggles and games of Fish until the pale light of dawn crept through our bedroom window. Only then would we fade into sleep, safe and secure in the cocoon of each other's arms.

Of course, Mama always yelled when she found me asleep in Katie's bed. "You could have smothered her," she’d accuse in a stern voice reserved especially for me.

"But, Mama, Julie had a bad dream," Katie defended, an urgency in her little-girl voice.

It always amazed me how quickly Mama's eyes could shift from steel gray to the softest blue when addressing her youngest daughter. "But Mama doesn't want anything to happen to her little chicken," she would whisper, scooping Katie up in her arms. They’d leave the room then, and all I could see was Katie’s sorrowful eyes, watching me over Mama’s shoulder.

Moments like that drove me—not to my knees, but to my windowsill. Nose pressed hard against the screen, I’d squint out of the corner of my eye, imagining Jesus sitting on the outside ledge of my parent’s room. All I could see were His sandaled feet dangling and the hem of His white robe fluttering in the breeze, but it was enough. We'd talk for a while; mostly me, of course. I’d tell Him how much I needed Mama to love me. Since Sister Cecilia always said God was love, I sort of figured He was in the business, anyway. Why couldn't He make Mama love me, after all? I asked Him to talk to His Dad and the Ghost, you know, just to see if there was anything They could do. He never answered, but I figured He must have heard, because somehow I always felt better for the asking.

Once, when Mama came home from a day of shopping, she piled a tower of boxes on the kitchen table. We squealed with delight as she opened each to reveal its contents. A dress for Katie, a sweater for me, another dress, skirt and blouse for Katie, a hat for me, the latest fad for Katie, nothing for me.

"Mama," Katie said, eyeing my token pile, "I have more than Julie."

"Well, Julie's so hard to fit—I never know what to get her.” Mama absently patted my head. “You'll just have to go with me next time, so you can try things on." She turned away, unscrewing her clip earrings as she left the room. I blinked away the blur in my eyes and felt Katie's hand on mine as she looked at me with soulful eyes.

That night, Windowsill Jesus got an earful. He took it rather well, although the sandals seemed to droop more than usual. For a guy in control, He sure didn't talk much. No matter. I had more than enough to say for us both.

I knew it wasn't Katie's fault, but sometimes I made her pay for Mama's love. Like the time we fought over who got the bed on the inside wall next to Mama’s room. No way did I want the bed by the door where I was certain monsters loomed at night. But all Katie had to do was shed a few tears, and Mama would descend on me like a Missouri thunderstorm.

"She's just a baby,” Mama would say, “Stop being selfish and take the bed by the door." Katie sniffled as Mama gave her a squeeze. "It's okay, little chicken, you can have the bed next to Mama's wall. I want my little girl close."

Before she left the room, Mama would give me the eagle eye, defying me to argue.

"You heard what Mama said … I get the bed by her wall,” Katie said.

"No problem," I’d say, smiling and plopping on the bed by the door, legs casually crossed. "I don't want to sleep by Frank, anyway."

Katie blinked. "Who's Frank?" she asked, her voice wavering.

"You know, Frank—as in Dr. Frankenstein? He sleeps in that closet by your bed."

Her eyes widened in terror as she crouched against the headboard. "He does not," she whispered, her face as pale as porcelain.

"Sure he does. Ever notice that big, square trap door at the top of the closet? That's the attic. Frank lives up there. I thought you knew that. But don't worry, he only comes out at night."

"I don't want this bed," she wailed, "I want the bed by the door.”

"But Mama said you had to –"

"No! I want the bed by the door."

And so I won, as always with Katie. It was only fair, I reasoned. After all, Katie may have had Mama's heart, but I had the bed by her wall.

Over the years, my visits with Windowsill Jesus became as infrequent as my attempts to win Mama's love. And then one day, both stopped altogether, deliberately tucked away at the age of fourteen into the dark recesses of my ‘orphan's’ heart. I replaced them with makeup and movies and the all-important quest for a boyfriend.

What I lacked in love, I made up in creativity. My gangly body, just beginning to bud, burgeoned into buxomness when enhanced by bobby socks sewn in where needed. Heavy eyeliner, guaranteed to produce the come-hither look, ribboned my eyes. Through it all, Katie would sit for hours, Indian-style on her bed, watching while I teased my hair and slinked into tight sweaters. Oh, how she would giggle when I’d pucker up, applying enough pale lipstick to produce perfectly pouting lips. I could tell she was fascinated by the evolution of her older sister. A stark contrast to Mama, whose casual indifference was only occasionally punctuated by comments like ‘boys don't marry tramps’. A sentiment always echoed by Daddy. When he was around.

When Katie hit her teens, her relationship with Mama hit the skids. Overnight, she transformed from Mama's sweet-faced angel into a celestial beauty anxious to try out her wings. No longer content to be Mama's ‘little chicken’, Katie dreamed of freedom to follow in my footsteps. I shouldn’t have, but I reveled that her dreams became Mama's nightmares.

More and more, Mama seemed to float in and out of depression. On days when she had the energy, she would blame her ‘little chicken's’ demise on my bad influence. If Katie sassed her, it was my fault. If Katie rose to my defense, Mama accused me of stealing her baby. Mama's attacks still managed to produce a mournful look on Katie's face, but their sting no longer penetrated the steel casing around my heart. Her words would fly, and I would simply turn and leave while Mama squandered her final reserve of energy on silent screams.

The day Mama died began like any other. Daddy left for work early, as usual, and Katie and I slept late. As late as Mama would allow. It was summer, after all. That didn't seem to mean a lot to Mama, who always appeared at our bedroom door promptly at 10:30 a.m. In her mind, we were nothing but ‘bed jockeys’ who wanted to sleep the day away. In our minds, we were far away in our own personal dreams, romanced and sought after by boys who couldn't live without us.

I awoke that morning to Katie's frantic cries, her arms flailing at my bed covers. "Julie, wake up, wake up—Mama's not breathing! God, what are we going to do?" She stood there, her face contorted in panic, dragging her fingers through the blonde ringlets as if she were going to rip them out by the roots. I lay there in a stupor until the meaning of her words invaded my conscious. I could taste the fear in my mouth as I shot off the bed, pushing past her to Mama's room down the hall.

She looked so peaceful. Not at all like the depressed woman who had taken to crying jags and pacing aimlessly through the house. Just peaceful. In a surreal blur of sirens and doctors and mournful crying, Mama was taken away. An aneurysm in her heart, the doctors decided. A heart that would never know how much I longed to be within it. For the first time in a long time, I thought about Windowsill Jesus. So much for prayers answered. Close the casket on this one, boys, 'cause the God of Love blew it big time. Pack up your prayers, little girl, and move on.

And move on I did. Onto broken curfews, bottles of booze and the notorious free-love era of the 70s. The Devil didn't call me on the phone anymore. No, he just pulled right up to my front door and took me riding. Most nights I'd come home and collapse on my bed, the taste of vomit ripe in my mouth. I remember the room spinning out of control, like my life. Someone was always there, though, holding my hand and wiping my lips with a cool cloth, whispering everything would be all right. Even through a haze of Jack Daniels, I swear Katie looked like an angel. "I love ya, Kate," I would slur before the haze began to dim.

"I know you do, Julie," she would say, "and I love you, too. More than anything in the world. Always have, always will."

I closed my eyes and smiled. Windowsill Jesus smiled back. "Always have, always will," He whispered.

***

I rolled the window down, and the cold, autumn air misted my face like a dream. I stared at the house I once called home and watched the shadows of dusk cloak it in darkness. Blinking back the tears, I leaned out my car window. I could almost smell the cloves and cinnamon from the bourbon pumpkin pies Mama used to bake at Thanksgiving. Almost. Grabbing a Kleenex, I wiped the wetness from my eyes. True, I hadn't felt loved or protected in this home, but it had given me something. Rolling the window up, I turned the key in the ignition and buckled my seatbelt, ready to head home.

Home. Where toddlers clamored for my attention and a husband's eyes lit up when I entered the room. Where perennials bloomed and Katie and I enjoyed prayer luncheons on my cedar deck. Where memories of Mama had softened and deepened and forgiven, just like me. And—most importantly of all—where Windowsill Jesus still kept vigil.

~*~

Julie Lessman is an award-winning author whose tagline of “Passion With a Purpose” underscores her intense passion for both God and romance. Winner of the 2009 ACFW Debut Author of the Year and Holt Medallion Awards of Merit for Best First Book and Long Inspirational, Julie is also the recipient of 13 Romance Writers of America awards and was voted by readers as “Borders Best of 2009 So Far: Your Favorite Fiction” at http://www.borders.com/online/store/ListView_best2009favefiction. She resides in Missouri with her husband, daughter, son and daughter-in-law and is the author of “The Daughters of Boston” series, which includes A Passion Most Pure, A Passion Redeemed, and A Passion Denied, as well as the recently released A Hope Undaunted, book 1 of her brand-new “Winds of Change” series. You can contact Julie through her website at http://www.julielessman.com/.

A HOPE UNDAUNTED
 
The 1920s are drawing to a close, and feisty Katie O'Connor is the epitome of the new woman--smart and sassy with goals for her future that include the perfect husband and a challenging career in law. Her boyfriend Jack fits all of her criteria for a husband--good-looking, well-connected, wealthy, and head-over-heels in love with her. But when she is forced to spend the summer of 1929 with Cluny McGee, the bane of her childhood existence, Katie comes face to face with a choice. Will she follow her well-laid plans to marry Jack? Or will she fall for the man she swore to despise forever?
 

Tuesday, August 24, 2010

The Disappearing Diva


I thought it might be a fun exercise to honor some famous authors (and their characters) by writing short stories inspired by their style. Here’s my first attempt, and who better to honor than Sir Arthur Conan Doyle’s inimitable Sherlock Holmes. I hope you enjoy!
The Disappearing Diva
By Lisa Karon Richardson
“You’re certain it was Miss Harrington’s voice you heard?” Aurelia asked in her penetrating way.

I, Ilene Stadler, Aurelia’s confidante and companion, watched her as she in turn regarded the stage manager, one Mr. Durczek. He considered the question, revolving his hat over and over in his hands. “Certain? Yes. Miss ‘Arrington, she is the diva. There is no voice like hers.”

Aurelia jerked her head once in acknowledgment and bent with her magnifying glass to examine the doorknob to the diva’s dressing room.

Next to uncomfortable Mr. Durczek, dapper Viscount Lashley lounged against a post. I don’t suppose he could help it, lounging seemed to have been bred into his bones, and even now he couldn’t quite put any starch into his spine. “All sorts of people have been in and out by now, what do you think you’re going to find.”

Aurelia turned to him with a look that could have scoured brass. “I won’t know until I look, will I.”

“No. No I suppose not.”

Viscount Lashley and the perspiring stage manager had appeared at our lodgings less than an hour ago with one of the strangest tales I’d ever heard. Miss Sarah Harrington had taken London by storm over the last three weeks. Everyone seemed to be talking of the previously unknown genius. During this evening’s performance she had retired to her dressing room for the intermission as usual. This room was under observation by various workers the entire time. The stage manager had made the rounds and knocked on her door with the three-minute warning. The diva had sung out that she’d be right there. The curtain had gone up on schedule, but when her cue came, she didn’t appear. After an awkward pause the curtain had been lowered and a frantic search instituted. Her door was locked from the inside and the producer had finally ordered it broken open. The room had no windows and only the one door. The ventilation shafts were too small for anything larger than a puppy to wriggle through. During the few minutes in question the door had been under continuous observation and no one had gone in or come out.

And yet the fact remained that the opera star had disappeared.

Aurelia pushed open the door to reveal a small, cluttered dressing room. A vanity stood directly opposite covered in jars of creams and lotions. A screen was covered over with discarded costumes. Behind the screen the singer’s street clothing still hung neatly on a hook in the wall. Almost immediately behind the door a table held a phonograph, its needle still resting on a record.

Aurelia surveyed the room with the air of one totting up a row of sums. At last she stepped out into the hallway. “I should like to speak to everyone who observed her door during the intermission.”

Mr. Durczek motioned toward a man repainting a tired looking bit of scenery. “This is Patrick O’Fallon.” The stagehand glanced up from his work.

Aurelia tucked her magnifying glass back into its pouch. “Mr. O’Fallon, please tell me what you witnessed.”

“Didn’t see a thing.”

“Have you been working on this scenery all evening?”

He sighed. “Mostly."

“Then you must have seen something. Was there anything odd?”

“Everyone around here is odd.”

“Then tell me everything you saw during the intermission.”

“No use. No one even came close to the door but Mr. Durczek.”

“Were you here when the door was broken in?”

“Yeah.”

“Who entered the room first?”

“I’m not sure.” He frowned. “Maybe Mr. Durczek or the producer. Does it matter? No one could have smuggled her out past me I’d have seen. I was right there.”

Aurelia sucked in her cheeks ever so slightly, a gesture she made before springing a trap on some unwary soul. “Pray tell me how you came to have your attention so fixed upon Miss Harrington’s door?”

A scarlet flush swept up his neck. “I was taking my break and happened to have a good view.”

“Balderdash. The intermission is timed for a change of scenery. No stagehand would take a break at such a time.”

His adam’s apple bobbed. “I—“

“Be very careful what you say, Mr. O’Fallon.”

His shoulders slumped. “Sarah and I were going to marry before he came along.” He cast a venomous glare at the Viscount.

From one of the myriad corridors came the crash of something falling and a howl of protest. An instant later a fashionable, white-haired lady rounded the corner. Here was the type of woman Carroll must have had in mind when he installed the Queen of Hearts in Alice’s Wonderland. She marched up to the viscount. “Harold it’s time to go.”

For once he straightened nearly all the way up. “No, Mother. My fiancée has been abducted. I’m not going anywhere.”

Any response she might have made was cut off by the arrival of a workman, all but hauling a red-faced, balding man behind him. “There she is. That’s the one.” The workman pointed at the viscount’s mother.

The red-faced gentleman waved the workman off and took the woman’s hand in his, lifting it to his lips. “Lady Marchmont, it’s so kind of you to visit. How may I be of assistance?”

Mr. Durczek jerked his thumb toward the little balding fellow and whispered an expanation. “The producer.”

“Hello, Mr. Grundy.” Lady Marchmont removed her hand from the vicinity of his lips with the expression of one who has inadvertently touched a slug. “I don’t imagine a producer can help me a jot unless you can convince my son to remember his duty rather than chasing after chorus girls.”

“She’s not a chorus girl, Mother.”

O’Fallon, the jilted lover, furrowed his brow and looked Lady Marchmont up and down. “You were here for the show.”

She sniffed and glanced over at him. “Of course I was here. I learned of this ridiculous engagement today and came to see this... this woman perform.”

The ugly red tide returned to O’Fallon’s features. “No, I mean you were here. Backstage.”

“Don’t be silly.” She looked at each of the people in the gathering crowd as if waiting for someone to vouchsafe her denial.

Aurelia stepped toward her. “Others will have seen you, Lady Marchmont. The police will prove it easily.”

“And who might you be?”

“Aurelia Peale. I’m investigating this matter.”

The woman shot her a glance designed to melt a person into a quivering jelly. “You would be better employed finding yourself a husband.”

Aurelia tilted her head. “Possibly. But at the moment I’m employed in finding a kidnapper. You must see that it’s easier to explain your presence here among friends, than down at Scotland Yard.”

Lady Marchmont nearly rolled her eyes in an uncouth manner, but caught herself in time. “I came to talk to the wretched girl.”

“Miss Harington?”

“I thought she could be reasoned with.”

Aurelia crossed her arms. “You meant to offer her money if she would break off her engagement with your son.”

Lady Marchmont glanced at the viscount. “Yes. But once I got down here, I became lost. I never even saw the girl, before I heard she’d gone missing.”

“Mr. Grundy I’ve been looking everywhere for you.” The fluting American voice made them all turn. A robust young woman with a glorious mane of tawny hair stood eyeing the producer. “I heard you’re thinking about canceling tomorrow’s show.”

“Yes, Miss Boxer. I’m afraid that without Sarah—”

“But what’s an understudy for if not to sing when the lead is… indisposed?”

He held his hands up. “Miss Boxer, until we find the reason for Miss Harrington’s disappearance, it could be dangerous for you to go on.”

The girl stepped closer and pushed a fleshy finger into his chest. “Sarah Harrington didn’t have a patch on my voice. I’ve told you that before. Well now’s my big chance and I’ve got a contract. So you just better rethink your idea of cancelling the show.” With a showy swirl of skirts Miss Boxer turned and marched away.

Aurelia turned to the viscount. “Miss Stadler and I will continue our investigations. Why don’t you go home? I know your mother will feel better for the companionship.”

“Are you sure? I—I could stay. I want to find Sarah.”

“That’s not necessary. I assure you that I’ll find Miss Harrington. And I don’t believe she’ll have been harmed.”

“Then she did run off, just as I supposed,” said Lady Marchmont.

“Pray, Madam do not put words in my mouth. I never suggested anything of the sort.” Aurelia turned her back to the woman and motioned for me to follow her.

She went all through the theatre, no detail too small to secure her attention. Every workman and chorus girl she found was interviewed. Most saw nothing of any interest whatsoever. A few confirmed that Miss Harrington had not been seen leaving her dressing room during the intermission.

At last, Aurelia declared our labors at an end. “Come along, Ilene. It’s past time we should be home and enjoying a cup of tea before bed. We’ll return tomorrow to unmask the culprit.”
***
The next morning Aurelia and I were breakfasting on kippers and toast when urgent banging sounded at the front door. I dropped my uneaten toast and we scrambled to stand at the top of the stairs. Our landlady opened the door and the stage manager, Mr. Durczek barreled into the hall.
He saw us and whipped off his hat. “Please. Miss Boxer has been hurt.”
It took but a moment to learn that the understudy had been practicing on the stage when one of the heavy sandbags had fallen and struck her. She was now in hospital.
“Let us get our things,” Aurelia said. A moment later we were clambering into the hackney Mr. Durczek had waiting.
When we arrived at the opera house we found Lady Marchmont, and her son the Viscount Lashley awaiting us, along with the stagehand, Patrick O’Fallon and Mr. Grundy, the producer.
“If you will all follow me, for purposes of demonstration I believe this meeting would best be conducted in Miss Harrington’s dressing room.”
It was a tight fit getting us all inside.
“Have you discovered how she was removed from here?” asked the viscount.
“No. And for a very simple reason. She wasn’t removed from here. She never entered.”
“Impossible,” sputtered Mr. Durczek. “I heard her.”
“You believed you heard her, but in fact, you heard this.” She gestured at the phonograph. With a twist of the handle she wound it and reset the arm.
Immediately a woman’s voice emerged. “I’ll be right there.”
A gasp went up from everyone, even me.
“But how did you know?” asked the viscount.
“Very simple. If it were impossible for Miss Harrington to have left the room, then she didn’t. Either she was still in the room, or she had never entered. A thorough search made it eminently clear that she was not in the room, therefore only the second option remained. At that point the question became how could someone make it sound as if she were in the room.”
Lady Marchmont leaned forward, interested in spite of herself. “How could that contraption have been started at the appropriate moment?”
Aurelia smiled. “I imagine the kidnapper put the arm in place beforehand then attached a weighted string to the handle. He left the key in the lock and balanced the weight on the end. When Mr. Durczek gave his usual hearty knock, the weight was dislodged and the crank given a sharp turn. It must have been someone with ample access to the entire theatre. Someone no one would question entering the diva’s room earlier in the performance.”
I shook my head. Once more she’d pulled an answer from the jaws of the impossible.
“But who’s responsible!” Patrick O’Fallon slapped his hat against his knee.
“Again it’s a matter of looking at the evidence as it is, and not as we should like it to be.”
So whodunnit? And why? Put your answer in a comment to try your powers of deduction against Miss Peale’s. I’ll post the solution to the mystery this evening at 9:00 PM EST.
The first person to get the answer (both who the kidnapper is and their motive) will receive a copy of Shadows of Sherlock Holmes, an anthology of stories inspired by the great detective. (Used because it is no longer in print.) Please make sure to leave your e-mail address so that I can contact you and get your snail addy. Don’t forget to put a space or brackets around the @ so that web spyders don’t phish your address.






And now for the conclusion of our mystery.
Smiling like the proverbial Cheshire cat, Aurelia paced before us, hands clasped behind her back. “Mr. O’Fallon was the first to rouse suspicion. Avowals of love can upon occasion mask a darker emotion, particularly when the object of affection has spurned that love.”
“I didn’t have a thing to do—”
“I soon concluded the same, Mr. O’Fallon. You were quite adamant about not seeing anyone go in or out, whereas if you had been behind the disappearance it would have been in your interests to say you saw her leaving of her own will.”
O’Fallon nodded.
“Of course jealousy can affect more than the lower classes. There was the possibility that Viscount Lashley feared Sarah was experiencing a change of heart and determined to remove her from Mr. O’Fallon influence.”
“How dare you, Miss—”
Aurelia whirled to face Lady Marchmont. “I dare, because someone must. You were also seen backstage in suspicious circumstances. However, since you had just learned of the engagement there was little time to arrange elaborate schemes, nor were you familiar with the layout of the theatre. While it’s possible, the proposition is less likely. Besides it seems more keeping with your character that you’d try to buy cooperation before resorting to more desperate measures.
“The next most likely suspect was the understudy. She was intensely envious of Miss Harrington’s position and talent. And yet a simple accident or bout of food poisoning that prevented Miss Harrington from performing would have been easier to engineer, and much less likely to draw unwanted attention from the police. And now Miss Boxer herself has been injured.”
“But who does that leave?” I asked, unable to leash my curiosity longer.
Again that knowing smile. “Why the culprit of course, Miss Stadler. Someone who enjoys engineering complicated schemes.” She pinned the producer to the wall with her gaze. “Isn’t that correct, Mr. Grundy?”
“P-pardon me?” The little man’s eyes widened.
“I thought it odd you did not accompany Viscount Lashley to retain my services. A producer typically stands to lose a great deal if his show folds. And yet you made no move to secure your investment.”
“I have confidence in the fine officers of Scotland Yard,” he said stiffly.
“In addition, the kidnapper had to be familiar with the routines and practices backstage. And also required access. By all accounts you were there when this door was broken down, and most of the hands I talked to identified you as the first man in the room, giving you the opportunity to quickly remove the string and weight from your improvised device. A matter of only a second with your back to the wall, while everything around was confusion.”
“Absurd! Why should I want to ruin my own show?”
“An interesting question. Yesterday, Miss Boxer had to argue vehemently against closing down the show, even though doing so should mean a financial disaster for you. And now she is injured. I suspect it’s because you didn’t want the show to be a success. One of the oldest schemes in theatre is to raise more money than necessary to put on a show, and then ensure it fails, thus guaranteeing the investors won’t come clamoring for their money. But what’s a producer to do if he stages an unexpectedly popular show?”
The little man collapsed on to the couch, dropping his head into his hands. “If I had known it would be a success I could have made a mint.”
O’Fallon closed in on the hunched figure. “Where is she?”
“I didn’t hurt her, just kept her dosed with laudanum. She’s in the spare bedroom of my flat. I was going to release her without her ever knowing where she’d been kept. The show just had to close first.”
“Instead, the curtain is coming down on your plotting for good.” Aurelia adjusted her hat. “Come Ilene, I believe our work here is finished.”

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